Archive for October, 2010

Vampires Seducing Bloggers

Posted by on October 17th, 2010 at 6:32 AM
At HU, Kinukitty is unexpectedly swept off her paws by the yaoi manga How to Seduce a Vampire.

Best American Kvetching 2010

Posted by on October 16th, 2010 at 6:55 AM

At HU, I talk about what I would and wouldn’t have included in the Best American Comics 2010. Click over and share your own thoughts on what Neil Gaiman got right and/or wrong.

This and That From CCS

Posted by on October 16th, 2010 at 6:04 AM

Rob reviews A Vanishing Act, by Paul Swartz; Oak & Linden #2, by Pat Barrett; and WW, by Aaron Cockle.

A Vanishing Act, by Paul Swartz.  This was just a 12-page sampler for a longer, 32-page

How to Break into Comics

Posted by on October 15th, 2010 at 3:26 PM
Sometimes (often) while cleaning up The Comics Journal office, we find printouts older than some of our interns. For your Friday distraction, we offer this for everyone who ever wished that breaking into comics was as easy as filling out an application: *NSFW after the jump.

Highlights from the Vimeo Film Festival

Posted by on October 15th, 2010 at 2:11 PM
Far and away the best piece of animation at the Vimeo Film Festival: "My Mother's Coat" by Marie-Margaux Tsakiri-Scanatovits

Recommended Viewing: Lala Albert

Posted by on October 15th, 2010 at 2:00 PM

Yonic Clonic And The End of The Universe” is up at Arthur Magazine right now. Great stuff and a good opportunity to remember Arthur. Remember Arthur? There, I’ve said it three times and there’s no place like

Disney War Insignia

Posted by on October 15th, 2010 at 11:48 AM
Golden Age Friday: A dozen insignia designed by Disney for Allied servicemen.

The Political Season

Posted by on October 15th, 2010 at 8:06 AM
Always Makes Me Laugh

Frank Kermode vs. James Sturm

Posted by on October 15th, 2010 at 7:57 AM

Journalista for Oct. 15, 2010: Nuance and people pleasing

Posted by on October 15th, 2010 at 2:22 AM
11% of readers have read a graphic novel in the past year ♦ comics podcast round-up ♦ more

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