With his characters’ ludicrously bug-eyed bulb-nosed physiognomy, sausage-fingered hands and flat feet, Milt Gross may be said in his drawing style to epitomize “cartooning.”

Kent reviews the latest coffee table slab from Abrams ComicArts.
Jim Trombetta, The Horror! The Horror! Comic Books the Government Didn’t Want You to Read! New York: Abrams ComicArts, 2010. 306 pp, full color, $29.95. ISBN: 978-0-8109-5595-0. Includes a DVD …
The inaugural Australian Comic Arts Festival (ACAF) is looking to be held in Brisbane on June 4, 2011.
The main focus of the event (taken from their website) is “to be an ongoing event that is there to support & …
At HU, Richard Cook discusses St. Olaf as portrayed in John Wagner’s Big Book of Martyrs.
At HU, I discuss Moto Hagio’s story “The Willow” in light of Laura Mulvey’s theory of the gaze. Bringing up the question, what is that guy communing with anyway?
Your passive-aggressive literary apologetics for today.

How do you lampoon your government in cartoons when your government is Syria? (Hint: very carefully) ♦ more
I don’t know about you, but last week’s glimpse at the micro-mini Gag really whetted my appetite for more Joe Lambert. Accordingly, here are three of his books picked up last May at Maine’s Comics Arts Festival in Portland.

The Heart of Cartooning (We’ve Seen It All Before)