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	<title>Comments on: The Craft Behind Cerebus: An Interview with Gerhard (Part Three of Three)</title>
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	<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three</link>
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		<title>By: Michael Grabowski</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2312</link>
		<dc:creator>Michael Grabowski</dc:creator>
		<pubDate>Thu, 17 Feb 2011 04:33:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2312</guid>
		<description>Thanks, Sean and Gerhard, for the interview and a too-long ignored look at this aspect of making Cerebus. Thanks, tcj for posting it.</description>
		<content:encoded><![CDATA[<p>Thanks, Sean and Gerhard, for the interview and a too-long ignored look at this aspect of making Cerebus. Thanks, tcj for posting it.</p>
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		<title>By: Sean Michael Robinson</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2308</link>
		<dc:creator>Sean Michael Robinson</dc:creator>
		<pubDate>Wed, 16 Feb 2011 23:57:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2308</guid>
		<description>Nobodyowns- 

It&#039;s G as in &quot;gate,&quot; German style. &quot;Gairhard.&quot; I believe Gerhard&#039;s parents are German immigrants, actually.

That&#039;s a great question about the architecture- perhaps if he&#039;s reading he&#039;ll respond himself? The building design throughout the series is pretty striking, although some of the main architectural features of Iest are inherited from the pre-Gerhard portions of the book. Sim described one particular High Society-era street scene like this- &quot;My attempt at the time to convey the rooftops of Paris at the time of the French Revolution.&quot;</description>
		<content:encoded><![CDATA[<p>Nobodyowns- </p>
<p>It&#8217;s G as in &#8220;gate,&#8221; German style. &#8220;Gairhard.&#8221; I believe Gerhard&#8217;s parents are German immigrants, actually.</p>
<p>That&#8217;s a great question about the architecture- perhaps if he&#8217;s reading he&#8217;ll respond himself? The building design throughout the series is pretty striking, although some of the main architectural features of Iest are inherited from the pre-Gerhard portions of the book. Sim described one particular High Society-era street scene like this- &#8220;My attempt at the time to convey the rooftops of Paris at the time of the French Revolution.&#8221;</p>
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		<title>By: nobodyowns</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2306</link>
		<dc:creator>nobodyowns</dc:creator>
		<pubDate>Wed, 16 Feb 2011 23:07:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2306</guid>
		<description>Great interview, Sean-- best I&#039;ve ever read with Gerhard. You were absolutely right to focus on the man&#039;s craft and it was an illuminating look into his enormous contributions to Cerebus.

Question: something I&#039;ve been wondering since I picked up Cerebus 186 back in 1993 or whenever that was: how does he pronounce Gerhard? That&#039;s a common German first name, but does he pronounce the G like G as in Gate (as the Germans do) or like J in Jerry?

That said, most of the houses in Church and State and Mothers and Daughters look quite German (people used to often mention the &quot;Bavarian&quot; look of Cerebus&#039; world). I wonder if, given Gerhard&#039;s German name and presumably German heritage, there was a conscious influence there?

Gerhard, if you&#039;re reading this, THANK YOU for so many years of wonderful artwork. You created countless unforgettable images in Cerebus that now, even though it&#039;s been years since I&#039;ve read the books, come to mind so vividly.</description>
		<content:encoded><![CDATA[<p>Great interview, Sean&#8211; best I&#8217;ve ever read with Gerhard. You were absolutely right to focus on the man&#8217;s craft and it was an illuminating look into his enormous contributions to Cerebus.</p>
<p>Question: something I&#8217;ve been wondering since I picked up Cerebus 186 back in 1993 or whenever that was: how does he pronounce Gerhard? That&#8217;s a common German first name, but does he pronounce the G like G as in Gate (as the Germans do) or like J in Jerry?</p>
<p>That said, most of the houses in Church and State and Mothers and Daughters look quite German (people used to often mention the &#8220;Bavarian&#8221; look of Cerebus&#8217; world). I wonder if, given Gerhard&#8217;s German name and presumably German heritage, there was a conscious influence there?</p>
<p>Gerhard, if you&#8217;re reading this, THANK YOU for so many years of wonderful artwork. You created countless unforgettable images in Cerebus that now, even though it&#8217;s been years since I&#8217;ve read the books, come to mind so vividly.</p>
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		<title>By: Sean Michael Robinson</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2304</link>
		<dc:creator>Sean Michael Robinson</dc:creator>
		<pubDate>Wed, 16 Feb 2011 21:08:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2304</guid>
		<description>Glad you enjoyed it! It was really interesting for me to see Gerhard&#039;s children&#039;s book artwork, especially having seen so many thousand pages of fairly realistically rendered work. Although looking back on some segments of &quot;Going Home&quot; especially, I can see some antecedents to the bounciness and light artwork of &quot;the Wish&quot;.</description>
		<content:encoded><![CDATA[<p>Glad you enjoyed it! It was really interesting for me to see Gerhard&#8217;s children&#8217;s book artwork, especially having seen so many thousand pages of fairly realistically rendered work. Although looking back on some segments of &#8220;Going Home&#8221; especially, I can see some antecedents to the bounciness and light artwork of &#8220;the Wish&#8221;.</p>
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		<title>By: vollsticks</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2302</link>
		<dc:creator>vollsticks</dc:creator>
		<pubDate>Wed, 16 Feb 2011 20:46:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2302</guid>
		<description>Great, great interview! So interesting to get such a deep insight into how those wonderful pages were made. The stuff at the end from the children&#039;s book reminds me a little of Denis Kitchen&#039;s work, for some reason...</description>
		<content:encoded><![CDATA[<p>Great, great interview! So interesting to get such a deep insight into how those wonderful pages were made. The stuff at the end from the children&#8217;s book reminds me a little of Denis Kitchen&#8217;s work, for some reason&#8230;</p>
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		<title>By: Sean Michael Robinson</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2296</link>
		<dc:creator>Sean Michael Robinson</dc:creator>
		<pubDate>Wed, 16 Feb 2011 16:27:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2296</guid>
		<description>You can read some final thoughts on this interview over at the Hooded Utilitarian- http://hoodedutilitarian.com/2011/02/gerhard-craft-credit-cross-hatching-and-completion/</description>
		<content:encoded><![CDATA[<p>You can read some final thoughts on this interview over at the Hooded Utilitarian- <a href="http://hoodedutilitarian.com/2011/02/gerhard-craft-credit-cross-hatching-and-completion/" rel="nofollow">http://hoodedutilitarian.com/2011/02/gerhard-craft-credit-cross-hatching-and-completion/</a></p>
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		<title>By: Gerhard Speaks &#124; THE JOE SHUSTER AWARDS</title>
		<link>http://classic.tcj.com/alternative/the-craft-behind-cerebus-an-interview-with-gerhard-part-three-of-three/comment-page-1/#comment-2295</link>
		<dc:creator>Gerhard Speaks &#124; THE JOE SHUSTER AWARDS</dc:creator>
		<pubDate>Wed, 16 Feb 2011 14:45:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.tcj.com/?p=29647#comment-2295</guid>
		<description>[...] FEB 14:The Craft Behind Cerebus: An Interview with Gerhard (Part One of Three) FEB 15: The Craft Behind Cerebus: an Interview with Gerhard (Part Two of Three) FEB 16: The Craft Behind Cerebus: an Interview with Gerhard (Part Three of Three) [...]</description>
		<content:encoded><![CDATA[<p>[...] FEB 14:The Craft Behind Cerebus: An Interview with Gerhard (Part One of Three) FEB 15: The Craft Behind Cerebus: an Interview with Gerhard (Part Two of Three) FEB 16: The Craft Behind Cerebus: an Interview with Gerhard (Part Three of Three) [...]</p>
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