In the conclusion of this five-part interview, Bob Haney talks about collaborating with artist Ramona Fradon on Metamorpho, working for Filmation, the failure of cartoonists to unionize in the ’60s, Carmine Infantino’s undoing, Jenette Kahn’s arrival at DC, reviving Batman and leaving DC for good.
From “The Astounding Separated Man” in The Brave and the Bold #60. Drawn by Bruno Premiani ©1965 DC Comics
In the fourth part of a five-part interview, Bob Haney tells Michael Catron about Arnold Drake and The Doom Patrol, Eclipso, The Brave and the Bold, rapping ex-hippies and the relationship between comic books and movies.
In the second of a five-part interview (which originally ran in TCJ #276 & #278), Bob Haney explains how he broke into writing comics, interacted with the personalities at DC before the “Marvel Revolution,” the Comics Code and the withering of genres other than superhero in mid-century comics.
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