Eric Reynolds and Chris Mautner conclude their conversation about the 20th issue of the indy anthology Mome.

Rob reviews Dungeon Monstres Volume 3, by Lewis Trondheim, Joann Sfar, Carlos Nine, Patrice Killoffer and Walter.
The initial draw of Lewis Trondheim & Joann Sfar’s Dungeon series is its status as a light-hearted goof on familiar sword-and-sorcery (and Dungeons …
In the final installment of a three-part conversation regarding comics translation, the panelists mull over censorship, works that have been translated previously, puns, scanlations, process and the marketplace, among other topics.
Rob reviews the third volume of NBM’s translation of Dungeon Twilight, entitled THE NEW CENTURIONS. It’s by Lewis Trondheim, Joann Sfar, Kerascoet & Obion.

Uneasy Happiness presents an eminently accessible idea. Conceptually it’s loaded with entry points and hooks for would-be commentators. It’s easy to describe. The Little Nothings books are diaries of one-page strips in which Trondheim offers his reflections, sometimes developed, sometimes not, on moments of his daily life.
Rob reviews the second volume of TINY TYRANT, written by Lewis Trondheim and drawn by Fabrice Parme (First Second).

Trondheim’s drawings, to put it simply, seem alive. He’s found the happy medium between naturalism and iconic abstraction and has furthermore figured out how to adjust that line depending on his project. Trondheim has at times done completely abstract comics, some deceptively simple gag comics, slice of life comics, adventure comics, kids’ comics and more. He’s proven, time and again, that he’s a master of any genre, bending its needs to his own style and understanding of how to craft a story.
In his online conversation with Derik Badman on madinkbeard about Andrei Molotiu’s Abstract Comics, Craig Fischer says he’s “bummed that [Lewis] Trondheim’s ‘abstract pornography’ didn’t make it into the book.” Two of Trondheim’s pieces did make the cut, including …
When these “best of the year” recaps were collected for print in the magazine proper, we contributors used to have to forward our nominees well before the actual close of the calendar year. Over time, thanks to this Pavlovian routine, …